EarthQuaker Sales Manager, musician, and dedicated synth lover Karl Vorndran offers a short tutorial on how best to use EQD pedals with synthesizers, including what additional gear you will need to ensure the best possible mix of synth and effects.
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The Disaster Transport SR was originally introduced in 2013 following its smaller relatives the original Disaster Transport and the Disaster Transport JR which all hold a special place in the history of EarthQuaker Devices.
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This month, we offer you a few precious questions and answers with our beloved Sales Manager, Master of Halloween Costumes, keeper of hairless cats and flatulent synthesizer sound connoisseur, Karl Vondran.
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Ex Hex is quietly saving rock n roll. They’re not too in-your-face about it, but go to a show, and you’ll walk away in a daze, wondering how the hell you’ve gone this long without having seen these guitar god torch bearers.
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Brendan Canning and Andrew Whiteman give us a look at a portion of their effects arsenal while on-stage with Broken Social Scene in this tag-team episode of Board to Death.
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Har Mar Superstar are experts when it comes to gettin’ weird. We met up with Mr. Superstar himself, Sean Tillman, and trumpeter Jake Baldwin to see what might happen if we paired up a handful of our wildest Devices with trumpet and vocals...
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In SQÜRL’s music, the twisted scraping of industrial wreckage (to my ears the byproduct of musician/filmmaker Jim Jarmusch’s northeast Ohio upbringing) gives way to uneasy drones seemingly stuck in time like crestfallen Lake Erie tides fighting a losing battle against subzero temperatures before resolving at last into saturated but sparkling reverberated arpeggios. It’s what The Good, The Bad, and The Ugly might have sounded like if Ennio Morricone booked studio time with Steve Albini and hired Sunn O))) as session musicians...
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A little knowledge of color theory and perspective never hurt an aspiring painter, and the same applies when thinking about the basic audio concepts influencing signal routing and pedalboard layout.
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When we visited RYAT in Los Angeles, she treated us to this somber improvisation titled, “Resonation After the Earthquake Improv.” Here McGheehan’s dreamy vocal floats among subtle reverb-laden Fender Rhodes chords, courtesy of the Afterneath, while the Rainbow Machine (with all knobs set to noon) acts as a tasteful double tracking effect...
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There’s no doubt about it: Nick Reinhart (Tera Melos, Big Walnuts Yonder) is one of the most innovative guitarists working today, able to pull a dazzling array of never-before-heard sounds and dizzying glitch-inspired textures from his instrument, tap dancing away at a pedalboard while playing finger-twisting punk/prog riffs in odd time signatures like a mutant hybrid of Adrian Belew, Tom Morello, and Aphex Twin’s Richard D. James...
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