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350 West Bowery Street
Akron, OH, 44307
United States

+1 330 252-9220

Official website for EarthQuaker Devices. We build guitar effects by hand in the quaint landlocked city of Akron, Ohio.

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Filtering by Tag: pedal

Paul Riario - Guitar World Tech Editor: 25 Years of Teenaged Gear Glee

Malcolm X Abram

EQD asks Paul Riario a few questions about his job as Tech Editor for Guitar World magazine, his personal gear, not becoming jaded, and having to come up with groovy new licks to play for every damn video he makes.

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TechKnow : Ask A Tech Nerd

Malcolm X Abram

You asked, he answered and now you lucky pedalheads shall receive some expert tech advice from EQD’s beloved tech blogger Lane Sparber, a.k.a Mr. TechKnow.

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Board to Death Ep. 24 - Broken Social Scene

Guest User

Brendan Canning and Andrew Whiteman give us a look at a portion of their effects arsenal while on-stage with Broken Social Scene in this tag-team episode of Board to Death.

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Show Us Your Junk! Ep. 5 - Eric Palmquist (CHON, Thrice, the Mars Volta)

Aaron Rogers

Palmquist Studios is a treasure trove of vintage gear. “When I collect gear . . . I collect very slowly,” he says. “I like to build up pieces that I know are gonna last and be the sounds that I want and sounds that make my job easier. . . The Warden gets used on a lot of records,” he says. “[On] clean guitars, it keeps them punchy and articulate . . . [and] a little bit of the Grand Orbiter always gives that sense of space . . . [it’s] a nice little bit of je ne sais quoi..."

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CHON: "Koalas Are Just Super Baked All Day"

Aaron Rogers

San Diego’s CHON writes intricate, ultra-linear fusion-inspired math rock, but with a twist. You can dance to it...We caught up with guitarists Mario Camarena and Erick Hansel shortly after tracking had wrapped to discuss the making of the album, and find out how they fared upon entering the Wide World of Effects Pedals for the first time in the band’s eight-year history.

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Show Us Your Junk! Ep. 2: David Catching's Rancho De La Luna

Aaron Rogers

David Catching’s Rancho De La Luna sits atop hallowed ground. The recording studio (which doubles as Catching’s private residence, so keep out!) is the musical oasis from which flows the sandy lifeblood of Southern California’s thriving desert rock scene, giving rise to albums by the likes of Kyuss, Queens of the Stone Age, and Eagles of Death Metal. The new sacred texts of rock n’ roll...

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Studio Series - Nathan Larson (Late Night With Seth Myers, Shudder to Think)

Aaron Rogers

Welcome back to the EarthQuaker Devices Studio Series! We caught up with film composer, Late Night With Seth Myers guitarist, and former member of Dischord's Shudder To Think, Nate Larson to chat about his creative process and how he uses EQD pedals on a variety of sources for gigs in movies, television, and rock and roll...

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Pedal City, pt. 1 - Meet "LG"

Lauren Gilbert

I'm a lady, a lady who turns her cheek to any pedal that takes a iota of my classic Peavey, hot rod SG tone. I like pedals that are not designed to change things because change is bad; everyone knows that. Think of the empty parking lot you walked through as a short cut becoming 300 fancy condos, WHY CHANGE? FOR WHO??? WHO ARE THESE PEOPLE???

They aren't my people, they aren't classic Peavey people . . . They are, "Look at this $12,000 guitar I play Eagles songs on from the comfort of my recliner," people and that's really fine. Maybe it will make a Trader Joe's open up, then we can all get fat on cookies and instead of being an It city, we can be a Fat city. Either way they won't hear me banging out songs in my practice room at all hours of the day, noodling until something cool happens.. They aren't the noodling kind. Unless it's $15 bowls of Ramnen?? Ramen is best enjoyed sitting on a curb slurped from a gas station Styrofoam cup or crunched in the bag and eaten like granola. 'Cause who can afford granola with all these condos going up?


I like having options. Change? Not so much. But options, yes.

If you think any pedal is gonna give you a signature sound you're sitting in a recliner eating expensive ramen for sure. Given enough options though, things can start to take shape - like rock and roll pentatonic box shape - and now you're cooking with gas Daddy. Don't stop.

If you are full of the good ramen and like taking shortcuts, you are ready to let the guitar play you. You are ready to toss it in the air and see what happens, to slide your hand down the fretboard lawlessly until it sounds like the ground is falling beneath you. That's power, you got a fat wallet and nice car, must be your drug of choice.

Click here to read "Pedal City, pt 2."

Click here to read "Pedal City, pt. 3."

LG is the lead singer and guitar player for the power trio Thelma and The Sleaze. She currently resides in Nashville, drives a 1979 Ford Ranchero and has a brown dog named Waffles


Aaron's Bass Hole - Compression 101

Aaron Rogers

“When the Levee Breaks.” “In the Air Tonight.” Californication. One of these things is not like the other. Compression can make or break a song, or an entire album, and yet remains a mystery to most listeners, puzzling even the savviest of musicians.

Dynamic range reduction, or compression, is present at every stage of the recording process from individual instrument rigs...

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Pedal Spiel with Nick Reinhart

Nick Reinhart

Hello pedal enthusiasts. Nick Reinhart here, doing some guest blogging for EarthQuaker Devices. Some of you may know me from my music, namely Tera Melos, or my work with Zach Hill, or possibly a new band I have with Nels Cline, Mike Watt, and Greg Saunier called Big Walnuts Yonder...

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