ASK EQD : Jamie Stillman
Malcolm X Abram
To kick off our inaugural interactive missive, here are 10-ish questions from YOU answered by one of our Fearless Leaders; Founder, Lead Designer and President, Jamie Fuckin’ Stillman.
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Filtering by Tag: Afterneath
Five Ways to Challenge Your Playing with Pedals
Michael Whiteside
When you’re stuck in a rut and stuck at home, here are five ways that effects pedals can help take even your most practiced ideas to the next level.
Read MoreEQD on Record: May 2020
Guest User
Attention tone hounds: here are a few releases for this month. Please check out these albums in your desired format and support the artists that use our pedals!
Read MoreEarthQuaker Session Ep. 26: Jaye Jayle “Cemetery Rain / Soline”s
Guest User
Louisville’s own Jaye Jayle stopped by EarthQuaker Studios while they were playing Musica in a pre-pandemic utopian Akron a few months ago.
Read MoreEQD on Record: March 2020
Guest User
Attention tone hounds: here are a few releases for this month. Please check out these albums in your desired format and support the artists that use our pedals!
Read MoreEarthQuaker Session: Mourning [A] BLKstar - "Black Water" / "At the Wall"
Guest User
Mourning [A] BLKstar is a group that WILL make you stop and think. This musical composite defies genre, yet allows their influences to shine through loud and clear.
Read MoreRoadie's Corner: Torche
Guest User
Kicking off this thang, is an interview with Jonathan Nuñez of TORCHE. They have a new album out NOW called “Admission”, on Relapse Records. It’s a great spin, features EQD pedals big time, and you should check it out -as if you haven’t already!
Read MoreEarthQuaker Session: Stems - "Good Times"
Aaron Rogers
Akron’s goodtime indie-rockers Stems (featuring EQD wire wizard Justin Seeker on vocals and guitar) stopped by the studio to tear through this earworm of a track titled, appropriately enough, “Good Times…”
Read MoreBoard To Death Ep. 17: Takeshi (Boris)
Aaron Rogers
“I want [the audience] to use all of their five senses. Forget about the daily life,” says guitarist/bassist Takeshi. To aid our forgetfulness, Takeshi plays through a monolithic array of Sunn and Orange amplifiers plus a pedalboard stuffed to capacity with boutique fuzz pedals, one-off noisemakers, Afterneath, Bit Commander, and Palisades.
Read MoreBoard To Death Ep 16: Justin Pearson & Joey Karam (the Locust, Dead Cross, One Day As A Lion)
Aaron Rogers
“It’s not musical and I like that,” says Justin Pearson.
For more than a decade Justin Pearson (Dead Cross, Retox, Head Wound City) and Joey Karam (One Day as a Lion) have attacked eardrums and melted faces with their deconstructed avant-grindcore assault as members of the Locust. We recently met up with Justin and Joey at an undisclosed Los Angeles locale to concoct some Plague Soundscapes of our own…
Read MoreThe Messthetics’ Anthony Pirog on Influence & Improvisation
Aaron Rogers
It’s been fifteen years since Fugazi last performed, but their improvisational impulses remain intact in the Messthetics, a jazz-inspired group led by virtuoso guitarist Anthony Pirog and featuring Fugazi’s unmistakably muscular rhythm section of bassist Joe Lally and drummer Brendan Canty…
Read MoreEarthQuaker Session: Relaxer - "The Warlord"
Aaron Rogers
In addition to being the EarthQuaker Devices house band, Relaxer may very well be the world’s first (and only) “Passive Progressive” rock band. I don’t know what it means, either...
Read MoreEarthQuaker Session: RYAT - "Resonation After the Earthquake Improv"
Aaron Rogers
When we visited RYAT in Los Angeles, she treated us to this somber improvisation titled, “Resonation After the Earthquake Improv.” Here McGheehan’s dreamy vocal floats among subtle reverb-laden Fender Rhodes chords, courtesy of the Afterneath, while the Rainbow Machine (with all knobs set to noon) acts as a tasteful double tracking effect...
Read MoreWhitney Petty: Grabbin' 'Em by the Thunderpussy
Guest User
Whitney Petty, guitarist extraordinaire of Seattle’s Thunderpussy, is the first musician we’ve interviewed whose livelihood has been threatened by the Supreme Court, who counts Pearl Jam’s Mike McCready as a super fan, whose first stint playing was with Deerhunter – not too shabby for a first band – and who not only absolutely shreds on guitar but also kills it on bass and drums...
Read MoreShow Us Your Junk! Ep. 3 - Taka Tozawa (Deltron 3030)
Aaron Rogers
We caught up with Deltron 3030 guitarist Taka Tozawa at his rehearsal studio in a former naval base in San Francisco’s Bay View area to drool over his gargantuan collection of vintage Marshall amps and cabinets, including no fewer than three 8x10 cabs, and one “holy-grail” JTM-45... There’s not always room in the van (or trailer, or bus) for multiple Marshall full-stacks, so Taka counts on his Speaker Cranker overdrive to nail those cranked vintage amp tones on rented backline equipment.
Read MoreEarthQuaker Session: The Kandinsky Effect - "Loops"
Aaron Rogers
The brainchild of saxophonist Warren Walker, the Kandinsky Effect creates dark, groove-oriented, downtempo Jazz soundscapes anchored by the steady pulse of bassist Gael Petrina and drummer Caleb Dolister. The trio blends modern Jazz improvisation with electronic textures and beat-driven composition driven in part by Walker’s pioneering use of effects pedals with the saxophone...
Read MoreEarthQuaker Session: Uno Lady - "Underground"
Aaron Rogers
Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes...
Read MoreEarthQuaker Session - Isaiah Mitchell of Earthless
Aaron Rogers
“This is probably my favorite EarthQuaker pedal” says Isaiah Mitchell, pointing to his Dispatch Master.
“I think Daniel Lanois would like it. And I like Daniel Lanois...”
Read MoreEarthQuaker Session: Chelsea Wolfe - "Survive"
Aaron Rogers
“I think pedals in general helped me find my sound,” says Chelsea Wolfe.
When we visited Chelsea Wolfe at the Sargent House compound in Los Angeles last summer, we were awestruck by the striations of ugliness and beauty in her song “Survive.” And the volume. Lots and lots of volume. Each chord she plays and every note she sings hangs heavy and thick in the dry desert air like a cluster of tiny rainclouds gathering moisture, waiting to release thunder and lightning upon meeting a pocket of warm sky...
Read MoreStudio Series - Kurt Ballou (GodCity Studio, Converge)
Aaron Rogers
Kurt Ballou's GodCity Studio is the central hub for crushing, oppressively awesome sounding heavy metal records by the likes of High On Fire, Helms Alee, Skeletonwitch, the Dillinger Escape Plan, and Torche. As if that weren't impressive enough, Ballou is also the guitarist in hardcore trailblazers Converge. And he has the greatest business card of all time...
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