On March 5, the presumed disparate worlds of electronic effects and orchestral music will join forces for the world premiere of the EarthQuaker Symphony at E.J. Thomas Hall in downtown Akron.
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The Disaster Transport SR was originally introduced in 2013 following its smaller relatives the original Disaster Transport and the Disaster Transport JR which all hold a special place in the history of EarthQuaker Devices.
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You asked, he answered and now you lucky pedalheads shall receive some expert tech advice from EQD’s beloved tech blogger Lane Sparber, a.k.a Mr. TechKnow.
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This month, we offer you a few precious questions and answers with our beloved Sales Manager, Master of Halloween Costumes, keeper of hairless cats and flatulent synthesizer sound connoisseur, Karl Vondran.
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For enthusiasts and musicians who prefer a one-stop stompbox search shop, Delicious Audio may be just what you’re looking for.
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Stretch and widen your noodles and jams with a quick trip through the eight presets that come with the Astral Destiny.
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Ex Hex is quietly saving rock n roll. They’re not too in-your-face about it, but go to a show, and you’ll walk away in a daze, wondering how the hell you’ve gone this long without having seen these guitar god torch bearers.
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Brendan Canning and Andrew Whiteman give us a look at a portion of their effects arsenal while on-stage with Broken Social Scene in this tag-team episode of Board to Death.
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Since 1997, MATMOS have pushed the boundaries of what would soon be called “intelligent dance music” beyond the natural limits of self-contained software and circuitry by using found objects…
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Nels has multiple pedalboards, but today we’re looking at “the big one,” which is actually two small pedalboards stacked neatly inside a Pelican case to save space, because this is New York City, folks…
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“This is a historical place and people should know the history of it,” says Different Fur Studios owner Patrick Brown.
It’s true -- the discography of the San Francisco-based recording studio reads like a list of the most influential albums of all time.
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Akron’s goodtime indie-rockers Stems (featuring EQD wire wizard Justin Seeker on vocals and guitar) stopped by the studio to tear through this earworm of a track titled, appropriately enough, “Good Times…”
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When EQD circuit builder Josh Novak isn’t making pedals, he shreds with Akron-based prog-punks (and meme masters) Actual Form. “In The Food Court of the Crimson King” is a happy-meal sized nugget of rock - an entire 70s prog LP’s-worth of twists and turns stuffed into just under three-and-a-half-minutes and served on a toasted sesame seed bun…
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“It’s a lot of fun. Growly. Nice. Like it. Love it. Awesome.”
Elle Puckett of Eisley and Maggie Rogers’ touring band calls upon a carefully selected collection of boutique stompboxes including the Avalanche Run, Spatial Delivery, and the occasional Altiods tin to craft the ambient tones for which she is known.
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The former Big Business guitarist and regular Melvins collaborator has a long history of engineering and/or producing top-tier rock bands - the bathroom in his Sound of Sirens studio is decorated with platinum records honoring his contribution to albums by Foo Fighters and Tool…
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It’s been fifteen years since Fugazi last performed, but their improvisational impulses remain intact in the Messthetics, a jazz-inspired group led by virtuoso guitarist Anthony Pirog and featuring Fugazi’s unmistakably muscular rhythm section of bassist Joe Lally and drummer Brendan Canty…
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Ladies and gentlemen, it is our distinct and perverse pleasure to present newly resurrected Sub Pop recording artists and The World’s Greatest Living Rock ‘n Roll Band™, Hot Snakes, performing an extra special “wet & wiggly” rendition of their interdimensional #1 smash-hit, “Death Doula,” from the album Jericho Sirens...
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Har Mar Superstar are experts when it comes to gettin’ weird. We met up with Mr. Superstar himself, Sean Tillman, and trumpeter Jake Baldwin to see what might happen if we paired up a handful of our wildest Devices with trumpet and vocals...
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In SQÜRL’s music, the twisted scraping of industrial wreckage (to my ears the byproduct of musician/filmmaker Jim Jarmusch’s northeast Ohio upbringing) gives way to uneasy drones seemingly stuck in time like crestfallen Lake Erie tides fighting a losing battle against subzero temperatures before resolving at last into saturated but sparkling reverberated arpeggios. It’s what The Good, The Bad, and The Ugly might have sounded like if Ennio Morricone booked studio time with Steve Albini and hired Sunn O))) as session musicians...
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It’s not every day we get invited to kick it with producers immortalized in Beastie Boys lyrics. We met up with Paul’s Boutique, Check Your Head, Ill Communication, and Hello Nasty engineer / producer Mario Caldato at his Hollywood home studio to dig through his endless collection of gear, in search of the perfect party rockin’ piece. And we found something...
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