Five Ways to Challenge Your Playing with Pedals
Michael Whiteside
When you’re stuck in a rut and stuck at home, here are five ways that effects pedals can help take even your most practiced ideas to the next level.
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Official website for EarthQuaker Devices. We build guitar effects by hand in the quaint landlocked city of Akron, Ohio.
Filtering by Tag: Rainbow Machine
When you’re stuck in a rut and stuck at home, here are five ways that effects pedals can help take even your most practiced ideas to the next level.
Read MoreAttention tone hounds: here are a few releases for this month. Please check out these albums in your desired format and support the artists that use our pedals!
Read MoreWhen most people were still collecting comic books and dreading middle school, Ilan Rubin was playing the Warped Tour and Woodstock with San Diego pop-punk band F.o.N.
Read MoreAttention tone hounds: here are a few releases for this month. Please check out these albums in your desired format and support the artists that use our pedals!
Read MoreSweet Spirit is a thought provoking rock band from Austin Texas that has about one billion members. Josh Merry is one of them, and plays guitar. He agreed to give us a tour of his JAM PACKED pedal board in this episode of Board To Death!
Read MoreLow set up shop at EarthQuaker Studios to lay down two spine-tingling songs off of their newest SubPop release, “Double Negative”.
Read MoreWhen EQD circuit builder Josh Novak isn’t making pedals, he shreds with Akron-based prog-punks (and meme masters) Actual Form. “In The Food Court of the Crimson King” is a happy-meal sized nugget of rock - an entire 70s prog LP’s-worth of twists and turns stuffed into just under three-and-a-half-minutes and served on a toasted sesame seed bun…
Read More“It’s not musical and I like that,” says Justin Pearson.
For more than a decade Justin Pearson (Dead Cross, Retox, Head Wound City) and Joey Karam (One Day as a Lion) have attacked eardrums and melted faces with their deconstructed avant-grindcore assault as members of the Locust. We recently met up with Justin and Joey at an undisclosed Los Angeles locale to concoct some Plague Soundscapes of our own…
Read MoreThe former Big Business guitarist and regular Melvins collaborator has a long history of engineering and/or producing top-tier rock bands - the bathroom in his Sound of Sirens studio is decorated with platinum records honoring his contribution to albums by Foo Fighters and Tool…
Read More“I’m a sick person,” confesses John Vanderslice.
He’s not wrong.
Vanderslice suffers from a terminal case of G.A.S. (Gear Acquisition Syndrome) and it’s spreading...
Read MoreIn SQÜRL’s music, the twisted scraping of industrial wreckage (to my ears the byproduct of musician/filmmaker Jim Jarmusch’s northeast Ohio upbringing) gives way to uneasy drones seemingly stuck in time like crestfallen Lake Erie tides fighting a losing battle against subzero temperatures before resolving at last into saturated but sparkling reverberated arpeggios. It’s what The Good, The Bad, and The Ugly might have sounded like if Ennio Morricone booked studio time with Steve Albini and hired Sunn O))) as session musicians...
Read MoreIn addition to being the EarthQuaker Devices house band, Relaxer may very well be the world’s first (and only) “Passive Progressive” rock band. I don’t know what it means, either...
Read More“[Pedals] inspire me to do things differently. It’s such a big part of what I do and how I create,” says Paramore guitarist Taylor York.
We caught up with the guitarist of Nashville pop-punk sensations Paramore to check out the gear he uses to bring to life the band’s stadium-sized hooks stuffed with enough ear candy to make every day feel like Halloween.
Read MoreWhen we visited RYAT in Los Angeles, she treated us to this somber improvisation titled, “Resonation After the Earthquake Improv.” Here McGheehan’s dreamy vocal floats among subtle reverb-laden Fender Rhodes chords, courtesy of the Afterneath, while the Rainbow Machine (with all knobs set to noon) acts as a tasteful double tracking effect...
Read MoreThe Evil has landed. We caught up with Queens of the Stone Age guitarist and lap steel player Troy Van Leeuwen to take a look at his multi-amp setup combining the best of modern signal routing with the immediacy of old-school, “pedals on the floor” plug-and-play rock and roll raunchiness...
Read MoreSince 2005, Noveller’s Sarah Lipstate has been using effects pedals to transform her guitar into synthesizers, string quartets, and instruments we don’t even have names for yet...
Read MoreBen Vehorn is on the short list of EarthQuaker Devices employees that has been with the company since our days as a fledgling basement operation. He spent many years riding the “Night Train...”
Read MoreSan Diego’s CHON writes intricate, ultra-linear fusion-inspired math rock, but with a twist. You can dance to it...We caught up with guitarists Mario Camarena and Erick Hansel shortly after tracking had wrapped to discuss the making of the album, and find out how they fared upon entering the Wide World of Effects Pedals for the first time in the band’s eight-year history.
Read MoreWe caught up with the Circa Survive guitarist at the legendary Agora Theater in Cleveland, Ohio, where the band celebrated the 10th anniversary of their album On Letting Go to nerd out on gear. And nerd out we did...
Read MoreEvery cloud has a silver lining. Cliché? Sure, but it seems to ring true for Los Angeles (by way of Louisiana, Austin, and Brooklyn) based guitarist and composer Sarah Lipstate.
Better known as Noveller, Lipstate has a habit of spinning the straw of her personal tragedies into the golden threads with which she weaves her musical tapestries...
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