Akron, Ohio gets a lot of credit for being LeBron James’ hometown. More impressive still is the fact that we’re also home to the world’s heaviest surf band, The Beyonderers. Not too shabby considering Lake Erie is our only surfable body of water. Put a championship ring on that, why don’t you?
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“That Bias knob is everything,” says Queens of the Stone Age bassist Michael Schuman, pointing at his Dirt Transmitter. Since discovering the Dirt Transmitter as a suitable stompbox replacement for the timeless sound of the Ampex 351 preamp, it has earned a place in his rig in with both QOTSA and his band Mini Mansions...
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“You want people to be comfortable, which is why my studio looks like my bedroom when I was seventeen,” says Joe Barresi.
Despite having nearly every piece of gear under the sun, there is little room for child’s play at Joe’s House of Compression. It’s strictly business. Even the fart mic. We’ll let “Evil” Joe explain...
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Palmquist Studios is a treasure trove of vintage gear. “When I collect gear . . . I collect very slowly,” he says. “I like to build up pieces that I know are gonna last and be the sounds that I want and sounds that make my job easier. . . The Warden gets used on a lot of records,” he says. “[On] clean guitars, it keeps them punchy and articulate . . . [and] a little bit of the Grand Orbiter always gives that sense of space . . . [it’s] a nice little bit of je ne sais quoi..."
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Since 2007’s self-titled debut album, Atlanta punks The Coathangers have come a long way. The band started as four friends playing music together with no serious aspirations and a mortal fear of playing live...
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“The Warden compression pedal . . . is kinda like, crucial to our tone,” says CHON guitarist Mario Camarena.
We met up with Mario prior to CHON’s incredible sold-out performance at Cleveland’s legendary Agora Ballroom to learn how his pedalboard has leveled-up from having only three pedals, to the final boss-worthy behemoth it is today...
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The idea behind this particular effects chain is to let the bass guitar take the lead by using effects pedals to simulate a sound similar to the sequencer module of an analog synthesizer...
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We caught up with Deltron 3030 guitarist Taka Tozawa at his rehearsal studio in a former naval base in San Francisco’s Bay View area to drool over his gargantuan collection of vintage Marshall amps and cabinets, including no fewer than three 8x10 cabs, and one “holy-grail” JTM-45... There’s not always room in the van (or trailer, or bus) for multiple Marshall full-stacks, so Taka counts on his Speaker Cranker overdrive to nail those cranked vintage amp tones on rented backline equipment.
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We met up with Tera Melos / Big Walnuts Yonder guitar wrangler Nick Reinhart at Juan Alderete’s 5 Starr Sound Labs to dig into a few of his favorite settings on the Bit Commander, Transmisser, and Avalanche Run. As if having killer guitar chops weren’t enough, Reinhart has made a name for himself as a tone-tweaker conjuring expressive and bizarre sounds from any pedal he touches. Today is no different...
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My name is Aaron Rogers and I play the bass guitar. I do copywriting & PR for EarthQuaker Devices, which means I'm responsible for most of the silliness which takes place on our social media . . .
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DIs have one job: they take your bass’ unbalanced high-impedance instrument level output and convert it to the balanced, low-impedance microphone level signal required by the mixing console.
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Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes...
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David Catching’s Rancho De La Luna sits atop hallowed ground. The recording studio (which doubles as Catching’s private residence, so keep out!) is the musical oasis from which flows the sandy lifeblood of Southern California’s thriving desert rock scene, giving rise to albums by the likes of Kyuss, Queens of the Stone Age, and Eagles of Death Metal. The new sacred texts of rock n’ roll...
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Plan, layout, and assemble your own pedalboard with EQD's own pedalboard mastermind, Joe Golden!
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“This is probably my favorite EarthQuaker pedal” says Isaiah Mitchell, pointing to his Dispatch Master.
“I think Daniel Lanois would like it. And I like Daniel Lanois...”
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Every cloud has a silver lining. Cliché? Sure, but it seems to ring true for Los Angeles (by way of Louisiana, Austin, and Brooklyn) based guitarist and composer Sarah Lipstate.
Better known as Noveller, Lipstate has a habit of spinning the straw of her personal tragedies into the golden threads with which she weaves her musical tapestries...
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"It's like they add ghosts to your machine," says Kid Koala.
We met up with Kid Koala (Deltron 3030, Gorillaz) at the LA Amp Show to twist some knobs and learn more about how he integrates effects pedals into DJ performances. And we got that. But we also got a lot more than that...
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“I think pedals in general helped me find my sound,” says Chelsea Wolfe.
When we visited Chelsea Wolfe at the Sargent House compound in Los Angeles last summer, we were awestruck by the striations of ugliness and beauty in her song “Survive.” And the volume. Lots and lots of volume. Each chord she plays and every note she sings hangs heavy and thick in the dry desert air like a cluster of tiny rainclouds gathering moisture, waiting to release thunder and lightning upon meeting a pocket of warm sky...
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Calling Joe Barresi “Evil” is like calling a big guy “tiny” - it doesn’t fit. Take one listen to his drum sounds though, and it all makes sense. The albums he makes are heavy...
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When we pulled this thing out of the Upside Down back in October, it was hotter than a stack of Eggo waffles, nailing those creepy Stranger Things vibes with its extra resonant, highly modulated filter swept ambience...
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