Nels has multiple pedalboards, but today we’re looking at “the big one,” which is actually two small pedalboards stacked neatly inside a Pelican case to save space, because this is New York City, folks…
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“This is a historical place and people should know the history of it,” says Different Fur Studios owner Patrick Brown.
It’s true -- the discography of the San Francisco-based recording studio reads like a list of the most influential albums of all time.
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Akron’s goodtime indie-rockers Stems (featuring EQD wire wizard Justin Seeker on vocals and guitar) stopped by the studio to tear through this earworm of a track titled, appropriately enough, “Good Times…”
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Producer Ross Robinson brings life to the dead. Dubbed the “godfather of nü-metal,” his raw, unvarnished production on albums by KoЯn, Slipknot, and Sepultura redefined heavy metal by stripping away the glitz and glamour of hair bands still partying on the Sunset Strip in favor of a new sound marked by anger, intensity, and honesty…
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“I want [the audience] to use all of their five senses. Forget about the daily life,” says guitarist/bassist Takeshi. To aid our forgetfulness, Takeshi plays through a monolithic array of Sunn and Orange amplifiers plus a pedalboard stuffed to capacity with boutique fuzz pedals, one-off noisemakers, Afterneath, Bit Commander, and Palisades.
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When EQD circuit builder Josh Novak isn’t making pedals, he shreds with Akron-based prog-punks (and meme masters) Actual Form. “In The Food Court of the Crimson King” is a happy-meal sized nugget of rock - an entire 70s prog LP’s-worth of twists and turns stuffed into just under three-and-a-half-minutes and served on a toasted sesame seed bun…
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If you’re opening a recording studio there are two things you should know:
Location is everything.
Great drum sounds are also everything.
Dan Joeright’s Gatos Trail Recording Studio in beautiful Yucca Valley, CA has both. Housed within an antique barn surrounded by spellbinding desert wilderness, Gatos Trail is a destination for artists like synth-pop phenomenon Twin Shadow, bass-and-drums bashers Big Business, noise rock brutalists Unsane, and nebulous post-punk group The Mekons…
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“It’s not musical and I like that,” says Justin Pearson.
For more than a decade Justin Pearson (Dead Cross, Retox, Head Wound City) and Joey Karam (One Day as a Lion) have attacked eardrums and melted faces with their deconstructed avant-grindcore assault as members of the Locust. We recently met up with Justin and Joey at an undisclosed Los Angeles locale to concoct some Plague Soundscapes of our own…
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“Anything that resonates, it sticks with you. Then you’re like, ‘I have to have it’ because it’s like a beautiful dream.”
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“It’s a lot of fun. Growly. Nice. Like it. Love it. Awesome.”
Elle Puckett of Eisley and Maggie Rogers’ touring band calls upon a carefully selected collection of boutique stompboxes including the Avalanche Run, Spatial Delivery, and the occasional Altiods tin to craft the ambient tones for which she is known.
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The former Big Business guitarist and regular Melvins collaborator has a long history of engineering and/or producing top-tier rock bands - the bathroom in his Sound of Sirens studio is decorated with platinum records honoring his contribution to albums by Foo Fighters and Tool…
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I wanted to move away from home, get a BMX bike, and a Moog. Those were the two things that were on my list, and those were the first two things that I did.
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For someone who didn’t grow up with grunge or ‘90s alternative rock, Alicia and her bandmates in Bully have managed to make one of the most exciting, ‘90s grunge/alternative rock records I’ve heard since – well, the ‘90s. Maybe even before that…
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It’s been fifteen years since Fugazi last performed, but their improvisational impulses remain intact in the Messthetics, a jazz-inspired group led by virtuoso guitarist Anthony Pirog and featuring Fugazi’s unmistakably muscular rhythm section of bassist Joe Lally and drummer Brendan Canty…
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Ladies and gentlemen, it is our distinct and perverse pleasure to present newly resurrected Sub Pop recording artists and The World’s Greatest Living Rock ‘n Roll Band™, Hot Snakes, performing an extra special “wet & wiggly” rendition of their interdimensional #1 smash-hit, “Death Doula,” from the album Jericho Sirens...
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“It’s the pedal I really learned how to build pedals on,” says Jamie Stillman...
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"I want to make a love song that's like when Arnold Schwarzenegger has to kill himself at the end of Terminator." - Cameron Avery
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Spotlights are loud. We caught up with bassist Sarah Quintero before the band’s performance at Mahall’s in Lakewood, OH, to shine a light on the deluge of distortion and fuzz pedals she uses to saturate the low frequencies which drive the trio’s sludgy shoegaze riffs straight into your skull.
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“I’m a sick person,” confesses John Vanderslice.
He’s not wrong.
Vanderslice suffers from a terminal case of G.A.S. (Gear Acquisition Syndrome) and it’s spreading...
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Har Mar Superstar are experts when it comes to gettin’ weird. We met up with Mr. Superstar himself, Sean Tillman, and trumpeter Jake Baldwin to see what might happen if we paired up a handful of our wildest Devices with trumpet and vocals...
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